1) So, had a visit with my visiting physician, today. (For those who're not in-the-know, I'm functionally, if not technically, house-bound), and part of the visit was him filling out a questionnaire to petition Medicare to help pay for a new motor chair. According to the official rules, you're not allowed a new chair until the one you have is five years old and this one turned five this past July, The joystick/controller is being held up with string, there are over 1,000 miles on the odometer, and without a wheelchair I could not get up off the floor to dress myself, eat, or go to the bathroom. I also don't have the balance or strength to use a manual chair.
Still, the doctor said Medicare might still turn me down because motorized chairs (especially the tilt-in-space kind like I have) are really expensive, and they might deny my request for that reason alone, regardless of how much I need it. And why is it so expensive? Private Insurance Companies jack up the price, because they know their customers can't just do without.
The American Health "Care" System, Boys and Girls! (And of course, when I got this chair, Obama was president, now, it's Trump, and the Republicans want to make Medicare more stingy)
2) So, after my recent falling-in-love with Spongebob Squarepants: the Musical, I realized that I really missed living in NYC's cultural circle in general. Through YouTube's recommendation chain, I discovered the channel for Broadway Cares/Equity Fights AIDS a charity of the acting/theater community raising money for anyone living with HIV/AIDS and their families, plus other emergencies as approved on an ad-hoc basis, raising money at the theater where performances are held, and auctioning off paraphernalia from shows, etc. And eight times a year, they put on shows and competitions for theater folk, themselves. And then, they put the highlights on YouTube.
So that's another one I've subscribed to, so I can get periodic reminders of current theater culture.
3) One last thing re: Spongebob -- here's the cast doing their performance for the Broadway Cares/Equity Fights Aids spring show from last year ("The Easter Bonnet Competition"), where they answer the cynicism of "high Art" gatekeepers, with a number from another musical that just happens to be based on a cartoon:
As far as I can tell from an Internet Search, the young woman who sings the bridge in this song (Jai'len Christine Li Josey) also had her debut on Broadway with this show, along with Ethan Slater (Spongebob and Annie, here). And she'd better see her name in lights.
Still, the doctor said Medicare might still turn me down because motorized chairs (especially the tilt-in-space kind like I have) are really expensive, and they might deny my request for that reason alone, regardless of how much I need it. And why is it so expensive? Private Insurance Companies jack up the price, because they know their customers can't just do without.
The American Health "Care" System, Boys and Girls! (And of course, when I got this chair, Obama was president, now, it's Trump, and the Republicans want to make Medicare more stingy)
2) So, after my recent falling-in-love with Spongebob Squarepants: the Musical, I realized that I really missed living in NYC's cultural circle in general. Through YouTube's recommendation chain, I discovered the channel for Broadway Cares/Equity Fights AIDS a charity of the acting/theater community raising money for anyone living with HIV/AIDS and their families, plus other emergencies as approved on an ad-hoc basis, raising money at the theater where performances are held, and auctioning off paraphernalia from shows, etc. And eight times a year, they put on shows and competitions for theater folk, themselves. And then, they put the highlights on YouTube.
So that's another one I've subscribed to, so I can get periodic reminders of current theater culture.
3) One last thing re: Spongebob -- here's the cast doing their performance for the Broadway Cares/Equity Fights Aids spring show from last year ("The Easter Bonnet Competition"), where they answer the cynicism of "high Art" gatekeepers, with a number from another musical that just happens to be based on a cartoon:
As far as I can tell from an Internet Search, the young woman who sings the bridge in this song (Jai'len Christine Li Josey) also had her debut on Broadway with this show, along with Ethan Slater (Spongebob and Annie, here). And she'd better see her name in lights.